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  • Val Verde County, Texas October, 2005: <br />
Panther Cave Site is a large rockshelter famous for its elaborate prehistoric pictographs, lies on the left bank of Seminole Canyon just above its confluence with the Rio Grande. The site is named for the largest and most dramatic figure, a large leaping cat, but at least four more cats are discernible in the mass of overpainting that covers the rear of the main shelter. Several human figures wear headdresses resembling feline ears; the emphasis on this motif suggests it is a totemic or territorial symbol. The pictographs, have been studied by scholars since 1932, and the Lowe Pecos pictograph style is based on superimposition, stylistic attributes, and similarities between objects recovered in systematic excavations and those painted in the pictographs. The art of Panther Cave belongs to the Pecos River Style, the predominant Lower Pecos art form, roughly dated to the Archaic Period, ca. 7000 B.C. to A.D. 600,characterized by large, costumed, faceless, anthropomorphic figures generally called shamans and is considered to be a religious or magical ceremonial art. <br />
©Bob Daemmrich
    EDAE0186679.jpg
  • Val Verde County, Texas October, 2005: <br />
Panther Cave Site is a large rockshelter famous for its elaborate prehistoric pictographs, lies on the left bank of Seminole Canyon just above its confluence with the Rio Grande. The site is named for the largest and most dramatic figure, a large leaping cat, but at least four more cats are discernible in the mass of overpainting that covers the rear of the main shelter. Several human figures wear headdresses resembling feline ears; the emphasis on this motif suggests it is a totemic or territorial symbol. The pictographs, have been studied by scholars since 1932, and the Lowe Pecos pictograph style is based on superimposition, stylistic attributes, and similarities between objects recovered in systematic excavations and those painted in the pictographs. The art of Panther Cave belongs to the Pecos River Style, the predominant Lower Pecos art form, roughly dated to the Archaic Period, ca. 7000 B.C. to A.D. 600,characterized by large, costumed, faceless, anthropomorphic figures generally called shamans and is considered to be a religious or magical ceremonial art. <br />
©Bob Daemmrich
    EDAE0186680.jpg
  • Val Verde County, Texas October, 2005: <br />
Panther Cave Site is a large rockshelter famous for its elaborate prehistoric pictographs, lies on the left bank of Seminole Canyon just above its confluence with the Rio Grande. The site is named for the largest and most dramatic figure, a large leaping cat, but at least four more cats are discernible in the mass of overpainting that covers the rear of the main shelter. Several human figures wear headdresses resembling feline ears; the emphasis on this motif suggests it is a totemic or territorial symbol. The pictographs, have been studied by scholars since 1932, and the Lowe Pecos pictograph style is based on superimposition, stylistic attributes, and similarities between objects recovered in systematic excavations and those painted in the pictographs. The art of Panther Cave belongs to the Pecos River Style, the predominant Lower Pecos art form, roughly dated to the Archaic Period, ca. 7000 B.C. to A.D. 600,characterized by large, costumed, faceless, anthropomorphic figures generally called shamans and is considered to be a religious or magical ceremonial art. <br />
©Bob Daemmrich
    EDAE0186677.jpg
  • Val Verde County, Texas October, 2005: <br />
Panther Cave Site is a large rockshelter famous for its elaborate prehistoric pictographs, lies on the left bank of Seminole Canyon just above its confluence with the Rio Grande. The site is named for the largest and most dramatic figure, a large leaping cat, but at least four more cats are discernible in the mass of overpainting that covers the rear of the main shelter. Several human figures wear headdresses resembling feline ears; the emphasis on this motif suggests it is a totemic or territorial symbol. The pictographs, have been studied by scholars since 1932, and the Lowe Pecos pictograph style is based on superimposition, stylistic attributes, and similarities between objects recovered in systematic excavations and those painted in the pictographs. The art of Panther Cave belongs to the Pecos River Style, the predominant Lower Pecos art form, roughly dated to the Archaic Period, ca. 7000 B.C. to A.D. 600,characterized by large, costumed, faceless, anthropomorphic figures generally called shamans and is considered to be a religious or magical ceremonial art. <br />
©Bob Daemmrich
    EDAE0186678.jpg
  • Val Verde County, Texas October, 2005: <br />
Panther Cave Site is a large rockshelter famous for its elaborate prehistoric pictographs, lies on the left bank of Seminole Canyon just above its confluence with the Rio Grande. The site is named for the largest and most dramatic figure, a large leaping cat, but at least four more cats are discernible in the mass of overpainting that covers the rear of the main shelter. Several human figures wear headdresses resembling feline ears; the emphasis on this motif suggests it is a totemic or territorial symbol. The pictographs, have been studied by scholars since 1932, and the Lowe Pecos pictograph style is based on superimposition, stylistic attributes, and similarities between objects recovered in systematic excavations and those painted in the pictographs. The art of Panther Cave belongs to the Pecos River Style, the predominant Lower Pecos art form, roughly dated to the Archaic Period, ca. 7000 B.C. to A.D. 600,characterized by large, costumed, faceless, anthropomorphic figures generally called shamans and is considered to be a religious or magical ceremonial art. <br />
©Bob Daemmrich
    EDAE0186682.jpg
  • El Paso, Texas May 14, 2009: Scenes from the arts district downtown El Paso, TX showing banners outside the El Paso Museum of Art, which houses over 5,000 original works of art including the Samuel H. Kress Collection of European Art. ©Bob Daemmrich
    EDAE0372197.jpg
  • Austin, Texas: Grand Opening festivities at the Blanton Museum of Art at the University of Texas. The Blanton took over a decade in planning and construction and opened to massive crowds in Austin. April 2006 ©Bob Daemmrich /
    EDAE0201935.jpg
  • Austin, TX  April 27-30, 2006: Grand Opening festivities at the Blanton Museum of Art at the University of Texas. The Blanton took over a decade in planning and construction and opened to massive crowds in Austin.  ©Bob Daemmrich /
    EDAE0201932.jpg
  • Austin, TX November 16, 2008: Scenes from grand opening of a wing of the Blanton Museum of Art at the University of Texas showing African-American girls working on an art project.       ©Bob Daemmrich
    EDAE0297295.jpg
  • Austin, TX  April 27-30, 2006: Grand Opening festivities at the Blanton Museum of Art at the University of Texas. The Blanton took over a decade in planning and construction and opened to massive crowds in Austin. ©Bob Daemmrich /
    EDAE0201931.jpg
  • ©1993 Education: Mural painting project Hispanic art in public places efforts.  MR EP-0122-0127
    SOL_Box111_090.JPG
  • Val Verde County, Texas: The famed White Shaman rock art painting in a ceremonial cave along the Pecos River in southwestern Texas. © Bob Daemmrich
    EDAE0186665.jpg
  • Val Verde County, TX: October, 2005: The famed "White Shaman" rock art painting in a ceremonial cave along the Pecos River in southwestern Texas.  ©Bob Daemmrich
    EDAE0186666.jpg
  • Val Verde County, Texas October, 2005: <br />
Photographer Laurence Parent working in Panther Cave with a 4" X 5" view camera and sheet film.  This cave with ancient indian rock art paintings is at Lake Amistad at the Rio Grande River in southwest Texas.  <br />
©Bob Daemmrich/ The Image Works
    EDAE0186683.jpg
  • Val Verde County, Texas  October, 2004:  Rock Art and scenics along the Pecos and Rio Grande rivers in southwest Texas.
    EDAE0186729.jpg
  • Val Verde County, Texas  October, 2004: Shaman figure in Panther Cave on the Rio Grande River.  Rock Art and scenics along the Pecos and Rio Grande rivers in southwest Texas. <br />
©Bob Daemmrich
    EDAE0186727.jpg
  • Val Verde County, Texas  October, 2004:  VVV 90 site with ancienct indian rock art and scenics along the Pecos and Rio Grande rivers in southwest Texas. <br />
©Bob Daemmrich
    EDAE0186726.jpg
  • Val Verde County, Texas October, 2005: <br />
Photographer Laurence Parent working in Panther Cave with a 4" X 5" view camera and sheet film.  This cave with ancient indian rock art paintings is at Lake Amistad at the Rio Grande River in southwest Texas.  <br />
©Bob Daemmrich/ The Image Works
    EDAE0186684.jpg
  • Austin, TX  April 27-30, 2006: Grand Opening festivities at the Blanton Museum of Art at the University of Texas. The Blanton took over a decade in planning and construction and opened to massive crowds in Austin. ©© Bob Daemmrich
    EDAE0201931x.jpg
  • Austin, TX  April 27-30, 2006: Grand Opening festivities at the Blanton Museum of Art at the University of Texas. The Blanton took over a decade in planning and construction and opened to massive crowds in Austin. ©Bob Daemmrich /
    EDAE0201934.jpg
  • Austin, TX  April 27-30, 2006: Grand Opening festivities at the Blanton Museum of Art at the University of Texas. The Blanton took over a decade in planning and construction and opened to massive crowds in Austin. ©Bob Daemmrich /
    EDAE0201930.jpg
  • Austin, TX  April 27-30, 2006: Grand Opening festivities at the Blanton Museum of Art at the University of Texas. The Blanton took over a decade in planning and construction and opened to massive crowds in Austin. ©© Bob Daemmrich
    EDAE0201934x.jpg
  • Austin, TX  April 27-30, 2006: Grand Opening festivities at the Blanton Museum of Art at the University of Texas. The Blanton took over a decade in planning and construction and opened to massive crowds in Austin.  ©© Bob Daemmrich
    EDAE0201933x.jpg
  • Austin, TX  April 27-30, 2006: Grand Opening festivities at the Blanton Museum of Art at the University of Texas. The Blanton took over a decade in planning and construction and opened to massive crowds in Austin.  ©Bob Daemmrich /
    EDAE0201933.jpg
  • Austin, TX  April 27-30, 2006: Grand Opening festivities at the Blanton Museum of Art at the University of Texas. The Blanton took over a decade in planning and construction and opened to massive crowds in Austin. ©© Bob Daemmrich
    EDAE0201930x.jpg
  • Austin, TX November 16, 2008: Scenes from grand opening of a wing of the Blanton Museum of Art at the University of Texas showing  showing a pregnant woman and others working on an art project.       ©Bob Daemmrich
    EDAE0297294.jpg
  • ©1993 Schools: Mural painting project Hispanic art in public places effort.  MR EP-0122-0127
    SOL_Box111_164.JPG
  • Austin, TX  April 27-30, 2006: Grand Opening festivities at the Blanton Museum of Art at the University of Texas. The Blanton took over a decade in planning and construction and opened to massive crowds in Austin.  ©Bob Daemmrich /
    EDAE0201936.jpg
  • Austin, TX  April 27-30, 2006: Grand Opening festivities at the Blanton Museum of Art at the University of Texas. The Blanton took over a decade in planning and construction and opened to massive crowds in Austin.  ©© Bob Daemmrich
    EDAE0201936x.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450926.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450922.jpg
  • Comstock, Texas  Indian rock art paintings in Panther Cave, owned by the National Park Service on Lake Amistad on the Texas-Mexico border.  The paintings date from 4,000 years ago to 10,000 years ago  October 24 2004 ©Bob Daemmrich/The Image Works
    EDMM0145549.jpg
  • ©1993  Education: Black boy paints Hispanic mural as part of an Art in Public Places project in Austin,TX   MR EP-0122-0127
    SOL_Box111_095.JPG
  • ©©1993 Education: Mural painting project Hispanic art in public places efforts.  MR EP-0122-0127
    SOL_Box111_087.JPG
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450933.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450932.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450931.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450930.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450929.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450928.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450927.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450925.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450924.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450923.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450920.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450921.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450918.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450916.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450917.jpg
  • Comstock, Texas  Indian rock art paintings in Panther Cave, owned by the National Park Service on Lake Amistad on the Texas-Mexico border.  The paintings date from 4,000 years ago to 10,000 years ago  October 24 2004 ©Bob Daemmrich/The Image Works
    EDMM0145556.jpg
  • Comstock, Texas  Indian rock art paintings in Panther Cave, owned by the National Park Service on Lake Amistad on the Texas-Mexico border.  The paintings date from 4,000 years ago to 10,000 years ago  October 24 2004 ©Bob Daemmrich/The Image Works
    EDMM0145550.jpg
  • Comstock, Texas  Indian rock art paintings in Panther Cave, owned by the National Park Service on Lake Amistad on the Texas-Mexico border.  The paintings date from 4,000 years ago to 10,000 years ago  October 24 2004 ©Bob Daemmrich/The Image Works
    EDMM0145551.jpg
  • Comstock, Texas: Indian rock art paintings in Panther Cave, owned by the National Park Service on Lake Amistad on the Texas-Mexico border. The paintings date from 4,000 years ago to 10,000 years ago. © Bob Daemmrich / The Image Works
    EDMM0145548.jpg
  • Comstock, Texas  Indian rock art paintings in Panther Cave, owned by the National Park Service on Lake Amistad on the Texas-Mexico border.  The paintings date from 4,000 years ago to 10,000 years ago. © Bob Daemmrich / The Image Works
    EDMM0145546.jpg
  • Comstock, Texas: Indian rock art paintings in Panther Cave, owned by the National Park Service on Lake Amistad on the Texas-Mexico border. The paintings date from 4,000 years ago to 10,000 years ago. © Bob Daemmrich / The Image Works
    EDMM0145545.jpg
  • Texas:  Walnut Creek Scool.  Fourth graders in art class.  ©Bob Daemmrich / The Image Works
    CDMR2895.jpg
  • Texas:  Fifth (5th) grade art class. Bilingual education. Student making Native American pottery "animal skins". MR ©Bob Daemmrich / The Image Works
    CDMM2540.jpg
  • Austin, TX November 16, 2008: Scenes from grand opening of a wing of the Blanton Museum of Art at the University of Texas showing people greeting in the lobby.  ©Bob Daemmrich
    EDAE0297296.jpg
  • Austin, TX November 16, 2008: Public opening of the Edgar Smith Building at the Blanton Museum of Art at the University of Texas at Austin.      ©Bob Daemmrich
    EDAE0297284.jpg
  • Austin, TX March 2005: Saturday open house at the University of Texas at Austin. Using a steamroller to make ink prints in the art department of the university. <br />
©Bob Daemmrich/
    EDAE0164748.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450934.jpg
  • Austin , Texas - January 12 , 2013 - Tibetan Buddhist monks from the Drepung Loseling Monastery, construct an intricate, highly patterned large-scale sand mandala using million of grains of colored sand at the University of Texas at Austin Blanton Museum of Art on January 11th, 2013   A sand mandala is ritualistically destroyed once it has been completed and its accompanying ceremonies and viewing are finished to symbolize the Buddhist doctrinal belief in the transitory nature of material life.
    EDAE0450919.jpg
  • Comstock, Texas  Indian rock art paintings in Panther Cave, owned by the National Park Service on Lake Amistad on the Texas-Mexico border.  The paintings date from 4,000 years ago to 10,000 years ago  October 24 2004 ©Bob Daemmrich/The Image Works
    EDMM0145547.jpg
  • McNay Art Museum in San Antonio, Texas<br />
©Bob Daemmrich
    EDAE0199349.jpg
  • Val Verde County, Texas October, 2005: <br />
Opposing screaming panthers with a shaman figure between them in the Lower Pecos Style paintings in a cave along the Pecos River about five miles upstram from its confluence with the Rio Grande in southwestern Texas. <br />
©Bob Daemmrich
    EDAE0186698.jpg
  • ©Bob Daemmrich
    EDAE0198427.jpg
  • African-American teenage girl painting mural on wall. MR<br />
©Bob Daemmrich
    EDAE0199331.jpg
  • African-American female architect works on building design. MR ©Bob Daemmrich / The Image Works
    CDMM6305.jpg
  • ©Bob Daemmrich
    EDAE0198428.jpg
  • Hispanic teenage boy painting mural on wall. Model Release.<br />
©Bob Daemmrich
    EDAE0199330.jpg
  • Statue of World's Largest Road Runner, "Paisano Pete" in Ft. Stockton, Texas for tourist attraction.<br />
©Bob Daemmrich/
    EDAE0199396.jpg
  • Austin, Texas USA  1995: Summer teen project painting a mural at their school.  © Bob Daemmrich Photogrpahy
    Daemmrich-628X.jpg
  • San Miguel de Allende, Mexico:  Artist paints on her rooftop in middle-class neighborhood. MR ©Bob Daemmrich / The Image Works
    CDMM3976.jpg
  • San Miguel de Allende, Mexico: Mexican female artist paints on canvas on her rooftop in San Miguel de Allende. MR<br />
©Bob Daemmrich
    EDAE0198784.jpg
  • Moving Portraits Texas Capitol - Texas State Preservation Board (SPB) workers start the laborious process of moving all 51 portraits of former Texas governors to make room for the portrait of Texas Governor Rick Perry at the Texas Capitol unveiled Friday, May 6, 2016.  Perry is the longest serving Texas governor at 14 years.<br />
 May 3, 2016   © Bob Daemmrich
    EDAE0528043.jpg
  • Moving Portraits Texas Capitol - Texas State Preservation Board (SPB) workers start the laborious process of moving all 51 portraits of former Texas governors to make room for the portrait of Texas Governor Rick Perry at the Texas Capitol unveiled Friday, May 6, 2016.  Perry is the longest serving Texas governor at 14 years.  Bob Daemmrich Photography, Inc.
    EDAE0528039.jpg
  • Moving Portraits Texas Capitol - Texas State Preservation Board (SPB) workers start the laborious process of moving all 51 portraits of former Texas governors to make room for the portrait of Texas Governor Rick Perry at the Texas Capitol unveiled Friday, May 6, 2016.  Perry is the longest serving Texas governor at 14 years.  <br />
 May 3, 2016   © Bob Daemmrich
    EDAE0528037.jpg
  • Governor Rick Perry Portrait Unveiled - Former Texas Governor Rick Perry is honored as his official portrait is unveiled in ceremonies Friday at the Texas Capitol. Perry the 47th governor of Texas, was in office for 14 years after George W. Bush rose to the U.S. presidency in 2001.    May 6, 2016   © Bob Daemmrich
    EDAE0528034.jpg
  • Dallas, Texas - April 3 , 2010  -  In Pioneer Plaza in downtown Dallas, the world's largest bronze sculpture of its kind depicts a cattle drive of 3 cowboys and 50 steers. Each piece was created by artist Robert Summers of Glen Rose, TX. The sculpture is on the site of the Shawnee Trail, which was a popular cattle drive trail in the 1850s. <br />
©Bob Daemmrich
    EDAE0393930.jpg
  • Dallas , Texas - April 3 , 2010  - In Pioneer Plaza in downtown Dallas, the world's largest bronze sculpture of its kind depicts a cattle drive of 3 cowboys and 50 steers. Each piece was created by artist Robert Summers of Glen Rose, TX. The sculpture is on the site of the Shawnee Trail, which was a popular cattle drive trail in the 1850s. <br />
<br />
<br />
 ©Bob Daemmrich
    EDAE0393929.jpg
  • Austin, TX: Statue of Barbara Jordan by sculptor Bruce Wolfe at Austin Bergstrom International Airport. ©Bob Daemmrich
    EDAE0187257.jpg
  • Copan, Honduras: Mayan artifact, Copan ruinas. ©Bob Daemmrich / The Image Works
    MDMC0034.jpg
  • Austin, Texas: Employee of Guerrero Carpets finishes large American flag on the side of their building in South Austin. September 20, 2001 ©Bob Daemmrich / The Image Works
    EDMR034337.jpg
  • Kids Making Kites at Community School. MR   ©Bob Daemmrich / The Image Works
    CDMR8168.jpg
  • Country music star, Randyd Travis, in concert.  ©Bob Daemmrich / The Image Works
    CDMR7593000.jpg
  • Traditional Mexican cuattro guitar. ©Bob Daemmrich / The Image Works
    CDMM8707000.jpg
  • Austin, Texas:  Statue of blues-rock guitarist, Stevie Ray Vaughan, who died in 1990. ©Bob Daemmrich / The Image Works
    CDMK2672.jpg
  • Austin, Texas:  Skeleton caricature of fugative Osama bin Laden in pickup truck.  November 2001  ©Bob Daemmrich / The Image Works
    CDMK2546.jpg
  • Indianola, Texas:  Statue of French explorer Rene' Robert LaSalle at ghost town of Indianola, Matagorda Bay on the coast.  ©Bob Daemmrich / The Image Works
    CDMK2178.jpg
  • Austin, Texas:  Statue of Sam Houston by Elisabet Ney, inside Texas Capitol in Austin.  ©Bob Daemmrich / The Image Works
    CDMK2037.jpg
  • Austin, Texas: Civic group wind ensemble plays at outdoor event. ©Bob Daemmrich / The Image Works
    CDMK1787000.jpg
  • Austin, Texas:  Indian boy uses glue for pasting pictures in scrapbook for kindergarten project.<br />
©Bob Daemmrich/ The Image Works  CDMK0692
    CDMK0692.jpg
  • Austin, Texas: Multi-ethnic group of students play and learn in kindergarten classroom. ©Bob Daemmrich / The Image Works
    CDMK0663000.jpg
  • Teens working on mural for summer project. MR ©Bob Daemmrich / The Image Works
    CDMC7050.jpg
  • Texas:  Hispanic teen working on mural for a summer project.  MR  ©Bob Daemmrich / The Image Works
    CDMC7048.jpg
  • Zunil, Guatemala: Native weaver and her daughter.  ©Bob Daemmrich / The Image Works
    CDMC3172000.jpg
  • Antigua, Guatemala: Music group performs at Posada Don Rodrigo hotel. ©Bob Daemmrich / The Image Works
    CDMC3143000.jpg
  • Pentathlete, Lori Norwood, is also a professional artist.  ©Bob Daemmrich / The Image Works
    CDMC0195509.jpg
  • Tequicagalpa, Hondouras: Mayan Statue. ©Bob Daemmrich / The Image Works
    CDAE9570.jpg
  • Opening Ceremonies Olympic Summer Games. Seoul, Korea      ©Bob Daemmrich/THE IMAGE WORKS CDAE7053    2314 1021 1910-011
    CDAE7053.jpg
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